Exhibits at the AARCThe AARC’s Community Art Exhibit Program displays artworks year round that celebrate the diverse and dynamic cultural heritage, history, identity and creativity of Asian American Pacific Islanders. Exhibits are displayed on a quarterly schedule.

Due to the recent spike in COVID-19 cases, the AARC will be closed to the public beginning on Friday, July 3. Read more here. Visit our Digital Programming Page for virtual exhibits and online programs for the public.


Current Exhibits and Programs

CẢM ƠN MẸ

Based on both personal memory and everyday human behavior, Loc Huynh’s pieces explore themes ranging from vapid consumption to first generation Vietnamese American childhood experiences. Huynh employs an exaggerated pop cultural aesthetic to convey situations that feel simultaneously familiar and alien.

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MINDSET

Everyone has a mindset. It can be influenced by where an individual was raised, the community values taught, and can influence the decisions individuals make about their future. In this exhibit, two New York based Thai artists, Nutthawut Siridejchai and Kamonchanok Phon-ngam explore their own mindsets’ fluidity and malleability through innovations in media, composition, and craft.

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Creative Highlights Video Series

A video series highlighting AARC Artists from this year's exhibition cycle. 

Loc Huynh

Kevin Luo

Sneha Sundaram

Peter Shen

Kamonchanok Phon-Ngam

Charlotte Faye

Nutthawut Siridejchai

Mr. Huang

ArtsResponders: Social Practice Responds to COVID-19 Featuring Lizzie Chen and Kengo

Social Practice, according to the Tate Museum, “describes art that is collaborative, often participatory and involves people as the medium or material of the work.” It can include “any art form and involves people and communities in debate, collaboration or social interaction.” ArtsResponders is a project that commissions artists to train in Social Practice and engages community in an artistic response to cope with and overcome COVID-19.

This year's selected ArtResponders Artists are Lizzie Chen and Peelander-Yellow

Click here to learn more about the artists and their projects.

Perlas ng Austin (The Pearls of Austin)


Learn about the history and culture of the Central Texas Filipino Community in a digital exhibit that features photographs from the Austin History Center's archives and cultural objects curated by the Austin Filipino American Association. 

Perlas ng Austin (The Pearls of Austin): A Celebration of the Central Texas Filipino Community Digital Exhibit

 

 

Permanent and Semi-Permanent Installations

Lotus

Lotus by Sunyong Chung and Philippe Klinefelter, 2013
granite, handmade ceramic tiles


 

Lotus is a large site specific sculpture created by Art in Public Places commissioned artists Sunyong Chung and Philippe Klinefelter for the Asian American Resource Center (AARC), and is located in the entrance plaza overlooking heritage live oaks.

Chung created an intricate and lively 12’ diameter mosaic of a lotus, made of hand-colored and hand-crafted dimensional tiles, which Klinefelter surrounded with seven 9’ tall hand-carved granite “petals” gracefully reaching toward the sky. Klinefelter also carved the lotus’s seed pod at the center of the mosaic from granite, which doubles as a gently flowing fountain. According to feng shui principles, the placement of the fountain near the AARC entrance creates positive chi, or energy, for the building. The lotus, native to Asia, was chosen as inspiration for the sculpture because of its symbolic attributes of harmony, purification and healing.

Prayer Phone

Prayer Phone | Semi-Permanent Art Installation

Prayer Phone, a handmade altar with a disconnected phone, is an invitation to the public to “call” their deceased loved ones while giving offerings and prayers. This project reflects a common custom of many Asian traditions: commemorating ancestors and venerating the spirit world.

Two essential elements compose this installation. The old fashioned phone is a symbolic artifact that represents humanity’s desire to connect and communicate with others. Its historic form evokes passage of time. By contrast, the spiritual act of lighting incense symbolizes the following: sacredness when the element of air is ignited, purification of the environment’s energy, and blessings in return for offerings. These two elements combine to help connect the earthly to the heavens.

This project is inspired by an episode of This American Life featuring stories about Telephone of the Wind in Otsuchi Town, a small seaside town in northeastern Japan. An iconic English telephone phone booth connected to nowhere was repurposed, and people began “calling” family members lost during the tsunami caused by the 2011 Great Japan Earthquake. Telephone of the Wind became a public space for people to grieve for their lost loved ones. In response, Prayer Phone shares in the deep tradition of respecting spirits and coexisting with entities beyond the physical realm, as well as providing a physical space and an outlet to feel connected with the departed.

 

Past Exhibits

Past 2021 Exhibits

Out of Service

Past AARC Exhibits

Colonized Women: Reclaiming Our Indigenous Roots
Courage To Be
Gingko Walk
Kingdom Arts
Reinventions, A Senior Art Show
Shen’s Precious Clocks and Watches

A River Across East and West
Colors of Life
Doors
Duality and Doko
Everything That Matters
Heritage
Inter/sected
Let the Colors Speak
Pink Lotus
Pioneer Painter
Storied & Pop Japan
Tea and Travel: A Virtual Exhibit Reception
Visions of Asia


Helpful Documents and Links